For a writer, it’s a word; for a composer or a musician, it’s a note; for an editor or a filmmaker, it’s the frames. One frame off or two frames added or two frames less is the difference between a sour note and a sweet note, is the difference between clunky, clumsy crap and orgasmic rhythm.
Quentin Tarantino, The Cutting Edge: The Magic of Movie Editing. (via stayforthecredits) (via bryanwashere) (via mattedits)

Source: stayforthecredits

56 Notes/ Hide

  1. uutokk reblogged this from indigoisbetter
  2. indigoisbetter reblogged this from stayforthecredits
  3. runinto-flowers reblogged this from mutations
  4. cynthiaangel reblogged this from bryanwashere
  5. yawninglily reblogged this from ronenreblogs
  6. hwee reblogged this from mutations
  7. continuum reblogged this from bryanwashere
  8. isaacwayton reblogged this from brieflynoted
  9. movielove reblogged this from letsplaysamantics
  10. jennifermorris reblogged this from mattedits
  11. satrazemis reblogged this from mattedits
  12. ronenreblogs reblogged this from brieflynoted
  13. brieflynoted reblogged this from mattedits
  14. mattedits reblogged this from bryanwashere
  15. bryanwashere reblogged this from letsplaysamantics
  16. letsplaysamantics reblogged this from mutations
  17. brittannypockets reblogged this from stayforthecredits
  18. padayon reblogged this from mutations
  19. popcoma reblogged this from stayforthecredits
  20. becomingbrina reblogged this from mutations