For a writer, it’s a word; for a composer or a musician, it’s a note; for an editor or a filmmaker, it’s the frames. One frame off or two frames added or two frames less is the difference between a sour note and a sweet note, is the difference between clunky, clumsy crap and orgasmic rhythm.
“
| — | Quentin Tarantino, The Cutting Edge: The Magic of Movie Editing. (via stayforthecredits) (via bryanwashere) (via mattedits) |
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